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2.1.3 Stanzas
Adding stanza numbers | ||
Adding dynamics marks to stanzas | ||
Adding singers’ names to stanzas | ||
Stanzas with different rhythms | ||
Printing stanzas at the end | ||
Printing stanzas at the end in multiple columns |
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Adding stanza numbers
Stanza numbers can be added by setting stanza
, e.g.,
\new Voice \relative { \time 3/4 g'2 e4 a2 f4 g2. } \addlyrics { \set stanza = #"1. " Hi, my name is Bert. } \addlyrics { \set stanza = #"2. " Oh, ché -- ri, je t'aime }
These numbers are put just before the start of the first syllable.
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Adding dynamics marks to stanzas
Stanzas differing in loudness may be indicated by putting a
dynamics mark before each stanza. In LilyPond, everything coming in
front of a stanza goes into the StanzaNumber
object; dynamics
marks are no different. For technical reasons, you have to set the
stanza outside \lyricmode
:
text = { \set stanza = \markup { \dynamic "ff" "1. " } \lyricmode { Big bang } } << \new Voice = "tune" { \time 3/4 g'4 c'2 } \new Lyrics \lyricsto "tune" \text >>
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Adding singers’ names to stanzas
Names of singers can also be added. They are printed at the start of
the line, just like instrument names. They are created by setting
vocalName
. A short version may be entered as
shortVocalName
.
\new Voice \relative { \time 3/4 g'2 e4 a2 f4 g2. } \addlyrics { \set vocalName = #"Bert " Hi, my name is Bert. } \addlyrics { \set vocalName = #"Ernie " Oh, ché -- ri, je t'aime }
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Stanzas with different rhythms
Often, different stanzas of one song are put to one melody in slightly
differing ways. Such variations can still be captured with
\lyricsto
.
Ignoring melismata
One possibility is that the text has a melisma in one stanza, but
multiple syllables in another. One solution is to make the faster
voice ignore the melisma. This is done by setting
ignoreMelismata
in the Lyrics context.
<< \relative \new Voice = "lahlah" { \set Staff.autoBeaming = ##f c'4 \slurDotted f8.[( g16]) a4 } \new Lyrics \lyricsto "lahlah" { more slow -- ly } \new Lyrics \lyricsto "lahlah" { go \set ignoreMelismata = ##t fas -- ter \unset ignoreMelismata still } >>
Known issues and warnings
Unlike most \set
commands, \set ignoreMelismata
does
not work if prefixed with \once
. It is necessary to use
\set
and \unset
to bracket the lyrics where melismata
are to be ignored.
Adding syllables to grace notes
By default, grace notes (e.g., via \grace
) do not get assigned
syllables when using \lyricsto
, but this behavior can be
changed:
<< \new Voice = melody \relative { f'4 \appoggiatura a32 b4 \grace { f16 a16 } b2 \afterGrace b2 { f16[ a16] } \appoggiatura a32 b4 \acciaccatura a8 b4 } \new Lyrics \lyricsto melody { normal \set includeGraceNotes = ##t case, gra -- ce case, after -- grace case, \set ignoreMelismata = ##t app. case, acc. case. } >>
Known issues and warnings
Like associatedVoice
, includeGraceNotes
needs to be
set at latest one syllable before the one which is to be put under a
grace note. For the case of a grace note at the very beginning of a
piece of music, consider using a \with
or \context
block:
<< \new Voice = melody \relative c' { \grace { c16( d e f } g1) f } \new Lyrics \with { includeGraceNotes = ##t } \lyricsto melody { Ah __ fa } >>
Switching to an alternative melody
More complex variations in setting lyrics to music are possible.
The melody to which the lyrics are being set can be changed from
within the lyrics by setting the associatedVoice
property:
<< \relative \new Voice = "lahlah" { \set Staff.autoBeaming = ##f c'4 << \new Voice = "alternative" { \voiceOne \tuplet 3/2 { % show associations clearly. \override NoteColumn.force-hshift = #-3 f8 f g } } { \voiceTwo f8.[ g16] \oneVoice } >> a8( b) c } \new Lyrics \lyricsto "lahlah" { Ju -- ras -- sic Park } \new Lyrics \lyricsto "lahlah" { % Tricky: need to set associatedVoice % one syllable too soon! \set associatedVoice = "alternative" % applies to "ran" Ty -- ran -- no -- \set associatedVoice = "lahlah" % applies to "rus" sau -- rus Rex } >>
The text for the first stanza is set to the melody called
‘lahlah’ in the usual way, but the second stanza is set initally
to the lahlah
context and is then switched to the
alternative
melody for the syllables ‘ran’ to ‘sau’ by
the lines:
\set associatedVoice = "alternative" % applies to "ran" Ty -- ran -- no -- \set associatedVoice = "lahlah" % applies to "rus" sau -- rus Rex
Here, alternative
is the name of the Voice
context
containing the triplet.
Note the placement of the \set associatedVoice
command –
it appears to be one syllable too early, but this is correct.
Note: The set associatedVoice
command must be placed
one syllable before the one at which the switch to the new
voice is to occur. In other words, changing the associated Voice
happens one syllable later than expected. This is for technical
reasons, and it is not a bug.
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Printing stanzas at the end
Sometimes it is appropriate to have one stanza set
to the music, and the rest added in verse form at
the end of the piece. This can be accomplished by adding
the extra verses into a \markup
section outside
of the main score block. Notice that there are two
different ways to force linebreaks when using
\markup
.
melody = \relative { e' d c d | e e e e | d d e d | c1 | } text = \lyricmode { \set stanza = #"1." Ma- ry had a lit- tle lamb, its fleece was white as snow. } \score{ << \new Voice = "one" { \melody } \new Lyrics \lyricsto "one" \text >> \layout { } } \markup { \column{ \line{ Verse 2. } \line{ All the children laughed and played } \line{ To see a lamb at school. } } } \markup{ \wordwrap-string #" Verse 3. Mary took it home again, It was against the rule." }
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Printing stanzas at the end in multiple columns
When a piece of music has many verses, they are often printed in multiple columns across the page. An outdented verse number often introduces each verse. The following example shows how to produce such output in LilyPond.
melody = \relative { c'4 c c c | d d d d } text = \lyricmode { \set stanza = #"1." This is verse one. It has two lines. } \score { << \new Voice = "one" { \melody } \new Lyrics \lyricsto "one" \text >> \layout { } } \markup { \fill-line { \hspace #0.1 % moves the column off the left margin; % can be removed if space on the page is tight \column { \line { \bold "2." \column { "This is verse two." "It has two lines." } } \combine \null \vspace #0.1 % adds vertical spacing between verses \line { \bold "3." \column { "This is verse three." "It has two lines." } } } \hspace #0.1 % adds horizontal spacing between columns; \column { \line { \bold "4." \column { "This is verse four." "It has two lines." } } \combine \null \vspace #0.1 % adds vertical spacing between verses \line { \bold "5." \column { "This is verse five." "It has two lines." } } } \hspace #0.1 % gives some extra space on the right margin; % can be removed if page space is tight } }
See also
Internals Reference: LyricText, StanzaNumber.
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