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5.1.3 Keeping contexts alive
Contexts are usually terminated at the first musical moment in
which they have nothing to do. So Voice
contexts die as
soon as they contain no events, Staff
contexts die as soon
as all the Voice
contexts within them contain no events, etc.
This can cause difficulties if earlier contexts which have died
have to be referenced, for example, when changing staves with
\change
commands, associating lyrics with a voice with
\lyricsto
commands, or when adding further musical events to
an earlier context.
There is an exception to this general rule: inside of an
{…}
construct (sequential music), the construct’s
notion of the “current context” will descend whenever an element
of the sequence ends in a subcontext of the previous current
context. This avoids spurious creation of implicit contexts in a
number of situations but means that the first context descended
into will be kept alive until the end of the expression.
In contrast, the contexts of a <<…>>
construct’s
(simultaneous music) expression are not carried forth, so
enclosing a context creating command in an extra pair of
<<…>>
will keep the context from persisting through
all of the enclosing {…}
sequence.
Any context can be kept alive by ensuring it has something to do at
every musical moment. Staff
contexts are kept alive by
ensuring one of their voices is kept alive. One way of doing this
is to add spacer rests to a voice in parallel with the real music.
These need to be added to every Voice
context which needs to
be kept alive. If several voices are to be used sporadically it is
safest to keep them all alive rather than attempting to rely on the
exceptions mentioned above.
In the following example, both voice A and voice B are kept alive in this way for the duration of the piece:
musicA = \relative { d''4 d d d } musicB = \relative { g'4 g g g } keepVoicesAlive = { << \new Voice = "A" { s1*5 } % Keep Voice "A" alive for 5 bars \new Voice = "B" { s1*5 } % Keep Voice "B" alive for 5 bars >> } music = { \context Voice = "A" { \voiceOneStyle \musicA } \context Voice = "B" { \voiceTwoStyle \musicB } \context Voice = "A" { \musicA } \context Voice = "B" { \musicB } \context Voice = "A" { \musicA } } \score { \new Staff << \keepVoicesAlive \music >> }
The following example shows how a sporadic melody line with lyrics might be written using this approach. In a real situation the melody and accompaniment would consist of several different sections, of course.
melody = \relative { a'4 a a a } accompaniment = \relative { d'4 d d d } words = \lyricmode { These words fol -- low the mel -- o -- dy } \score { << \new Staff = "music" { << \new Voice = "melody" { \voiceOne s1*4 % Keep Voice "melody" alive for 4 bars } { \new Voice = "accompaniment" { \voiceTwo \accompaniment } << \context Voice = "melody" { \melody } \context Voice = "accompaniment" { \accompaniment } >> \context Voice = "accompaniment" { \accompaniment } << \context Voice = "melody" { \melody } \context Voice = "accompaniment" { \accompaniment } >> } >> } \new Lyrics \with { alignAboveContext = #"music" } \lyricsto "melody" { \words } >> }
An alternative way, which may be better in many circumstances, is to keep the melody line alive by simply including spacer notes to line it up correctly with the accompaniment:
melody = \relative { s1 % skip a bar a'4 a a a s1 % skip a bar a4 a a a } accompaniment = \relative { d'4 d d d d4 d d d d4 d d d d4 d d d } words = \lyricmode { These words fol -- low the mel -- o -- dy } \score { << \new Staff = "music" { << \new Voice = "melody" { \voiceOne \melody } \new Voice = "accompaniment" { \voiceTwo \accompaniment } >> } \new Lyrics \with { alignAboveContext = #"music" } \lyricsto "melody" { \words } >> }
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