LilyPond Notation Reference: 1.6.3 Writing parts

[ << Musical notation ]	[Top][Contents][Index][ ? ]			[ Specialist notation >> ]
[ < Hiding staves ]		[ Up : Staff notation ]	[ Instrument names > ]

1.6.3 Writing parts

This section explains how to insert tempo indications and instrument names into a score. Methods to quote other voices and format cue notes are also described.

[ << Musical notation ]	[Top][Contents][Index][ ? ]			[ Specialist notation >> ]
[ < Writing parts ]		[ Up : Writing parts ]	[ Quoting other voices > ]

Instrument names

Instrument names can be printed on the left side of staves in the Staff, PianoStaff, StaffGroup, GrandStaff and ChoirStaff contexts. The value of instrumentName is used for the first staff, and the value of shortInstrumentName is used for all succeeding staves.

\new Staff \with {
  instrumentName = #"Violin "
  shortInstrumentName = #"Vln. "
} \relative {
  c'4.. g'16 c4.. g'16 \break | c1 |
}

\markup can be used to create more complex instrument names:

\new Staff \with {
  instrumentName = \markup {
    \column { "Clarinetti"
      \line { "in B" \smaller \flat }
    }
  }
} \relative {
  c''4 c,16 d e f g2
}

When two or more staff contexts are grouped together, the instrument names and short instrument names are centered by default. To center multi-line instrument names, \center-column must be used:

<<
  \new Staff \with {
    instrumentName = #"Flute"
  } \relative {
    f''2 g4 f
}
  \new Staff \with {
    instrumentName = \markup {
      \center-column { "Clarinet"
        \line { "in B" \smaller \flat }
      }
    }
  } \relative { c''4 b c2 }
>>

However, if the instrument names are longer, the instrument names in a staff group may not be centered unless the indent and short-indent settings are increased. For details about these settings, see \paper variables for shifts and indents.

<<
  \new Staff \with {
    instrumentName = #"Alto Flute in G"
    shortInstrumentName = #"Flt."
  } \relative {
    f''2 g4 f \break
    g4 f g2
  }
  \new Staff \with {
    instrumentName = #"Clarinet"
    shortInstrumentName = #"Clar."
  } \relative {
    c''4 b c2 \break
    c2 b4 c
  }
>>

\layout {
  indent = 3.0\cm
  short-indent = 1.5\cm
}

To add instrument names to other contexts (such as ChordNames or FiguredBass), Instrument_name_engraver must be added to that context. For details, see Modifying context plug-ins.

The shortInstrumentName may be changed in the middle of a piece, along with other settings as needed for the new instrument. However, only the first instance of instrumentName will be printed and subsequent changes will be ignored:

prepPiccolo = <>^\markup \italic { muta in Piccolo }

prepFlute = <>^\markup \italic { muta in Flauto }

setPiccolo = {
  <>^\markup \bold { Piccolo }
  \transposition c''
}

setFlute = {
  <>^\markup \bold { Flute }
  \transposition c'
}

\new Staff \with {
  instrumentName = #"Flute"
  shortInstrumentName = #"Flt."
}
\relative {
  g'1 g g g \break
  g1 g \prepPiccolo R R \break
  \set Staff.instrumentName = #"Piccolo"
  \set Staff.shortInstrumentName = #"Picc."
  \setPiccolo
  g1 g g g \break
  g1 g \prepFlute R R \break
  \set Staff.instrumentName = #"Flute"
  \set Staff.shortInstrumentName = #"Flt."
  \setFlute
  g1 g g g
}

Quoting other voices

It is very common for one voice to use the same notes as those from another voice. For example, first and second violins playing the same phrase during a particular passage of the music. This is done by letting one voice quote the other, without having to re-enter the music all over again for the second voice.

The \addQuote command, used in the top level scope, defines a stream of music from which fragments can be quoted.

The \quoteDuring command is used to indicate the point where the quotation begins. It is followed by two arguments: the name of the quoted voice, as defined with \addQuote, and a music expression for the duration of the quote.

fluteNotes = \relative {
  a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}

oboeNotes = \relative {
  c''4 cis c b \quoteDuring #"flute" { s1 }
}

\addQuote "flute" { \fluteNotes }

\score {
  <<
    \new Staff \with { instrumentName = "Flute" } \fluteNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
}

If the music expression used in \quoteDuring contains notes instead of spacer or multimeasure rests then the quote will appear as polyphony and may produce unexpected results.

fluteNotes = \relative {
  a'4 gis g gis | b4^"quoted" r8 ais\p a4( f)
}

oboeNotes = \relative {
  c''4 cis c b \quoteDuring #"flute" { e4 r8 ais b4 a }
}

\addQuote "flute" { \fluteNotes }

\score {
  <<
    \new Staff \with { instrumentName = "Flute" } \fluteNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
}

If an \unfoldRepeats command in a music expression is required to be printed when using \quoteDuring, then it too must also contain its own \unfoldRepeats command;

fluteNotes = \relative {
  \repeat volta 2 { a'4 gis g gis }
}

oboeNotesDW = \relative {
  \repeat volta 2 \quoteDuring #"incorrect" { s1 }
}

oboeNotesW = \relative {
  \repeat volta 2 \quoteDuring #"correct" { s1 }
}


\addQuote "incorrect" { \fluteNotes }

\addQuote "correct" { \unfoldRepeats \fluteNotes }

\score {
  \unfoldRepeats
  <<
    \new Staff \with { instrumentName = "Flute" }
    \fluteNotes
    \new Staff \with { instrumentName = "Oboe (incorrect)" }
    \oboeNotesDW
    \new Staff \with { instrumentName = "Oboe (correct)" }
    \oboeNotesW
  >>
}

The \quoteDuring command uses the \transposition settings of both quoted and quoting parts to produce notes for the quoting part that have the same sounding pitch as those in the quoted part.

clarinetNotes = \relative c'' {
  \transposition bes
  \key d \major
  b4 ais a ais | cis4^"quoted" r8 bis\p b4( f)
}

oboeNotes = \relative {
  c''4 cis c b \quoteDuring #"clarinet" { s1 }
}

\addQuote "clarinet" { \clarinetNotes }


\score {
  <<
    \new Staff \with { instrumentName = "Clarinet" } \clarinetNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
}

By default quoted music will include all articulations, dynamics, markups, etc., in the quoted expression. It is possible to choose which of these objects from the quoted music are displayed by using the quotedEventTypes context property.

fluteNotes = \relative {
  a'2 g2 |
  b4\<^"quoted" r8 ais a4\f( c->)
 }

oboeNotes = \relative {
  c''2. b4 |
  \quoteDuring #"flute" { s1 }
}

\addQuote "flute" { \fluteNotes }

\score {
  <<
    \set Score.quotedEventTypes = #'(note-event articulation-event
                                     crescendo-event rest-event
                                     slur-event dynamic-event)
    \new Staff \with { instrumentName = "Flute" } \fluteNotes
    \new Staff \with { instrumentName = "Oboe" } \oboeNotes
  >>
 }

Quotes can also be tagged, see Using tags.

Known issues and warnings

Only the contents of the first Voice occurring in an \addQuote command will be considered for quotation, so if the music expression contains \new or \context Voice statements, their contents will not be quoted. Quoting grace notes is unsupported and may cause LilyPond to crash whereas quoting nested triplets may result in poor notation.

[ << Musical notation ]	[Top][Contents][Index][ ? ]			[ Specialist notation >> ]
[ < Quoting other voices ]		[ Up : Writing parts ]	[ Editorial annotations > ]

Formatting cue notes

The simplest way to format cue notes is to explicitly create a CueVoice context within the part.

\relative {
  R1
  <<
    { e'2\rest r4. e8 }
    \new CueVoice {
      \stemUp d'8^"flute" c d e fis2
    }
  >>
  d,4 r a r
}

The \cueClef command can also be used with an explict CueVoice context if a change of clef is required and will print an appropriately sized clef for the cue notes. The \cueClefUnset command can then be used to switch back to the original clef, again with an appropriately sized clef.

\relative {
  \clef "bass"
  R1
  <<
    { e'2\rest r4. \cueClefUnset e,8 }
    \new CueVoice {
      \cueClef "treble" \stemUp d''8^"flute" c d e fis2
    }
  >>
  d,,4 r a r
}

The \cueClef and \cueClefUnset command can also be used without a CueVoice if required.

\relative {
  \clef "bass"
  R1
  \cueClef "treble"
  d''8^"flute" c d e fis2
  \cueClefUnset
  d,,4 r a r
}

For more complex cue note placement, e.g including transposition, or inserting cue notes from multiple music sources the \cueDuring or \cueDuringWithClef commands can be used. These are more specialized form of \quoteDuring, see Quoting other voices in the previous section.

The syntax is:

\cueDuring #quotename #direction #music

and

\cueDuringWithClef #quotename #direction #clef #music

The music from the corresponding measures of the quote name is added as a CueVoice context and occurs simultaneously with the music, which then creates a polyphonic situation. The direction takes the argument UP or DOWN, and corresponds to the first and second voices respectively, determining how the cue notes are printed in relation to the other voice.

fluteNotes = \relative {
  r2. c''4 | d8 c d e fis2 | g2 d |
}

oboeNotes = \relative c'' {
  R1
  <>^\markup \tiny { flute }
  \cueDuring #"flute" #UP { R1 }
  g2 c,
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \oboeNotes
}

It is possible to adjust which aspects of the music are quoted with \cueDuring by setting the quotedCueEventTypes property. Its default value is '(note-event rest-event tie-event beam-event tuplet-span-event), which means that only notes, rests, ties, beams and tuplets are quoted, but not articulations, dynamic marks, markup, etc.

Note: When a Voice starts with cueDuring, as in the following example, the Voice context must be explicitly declared, or else the entire music expression would belong to the CueVoice context.

oboeNotes = \relative {
  r2 r8 d''16(\f f e g f a)
  g8 g16 g g2.
}
\addQuote "oboe" { \oboeNotes }

\new Voice \relative c'' {
  \set Score.quotedCueEventTypes = #'(note-event rest-event tie-event
                                      beam-event tuplet-span-event
                                      dynamic-event slur-event)
  \cueDuring #"oboe" #UP { R1 }
  g2 c,
}

Markup can be used to show the name of the quoted instrument. If the cue notes require a change in clef, this can be done manually but the original clef should also be restored manually at the end of the cue notes.

fluteNotes = \relative {
  r2. c''4 d8 c d e fis2 g2 d2
}

bassoonNotes = \relative c {
  \clef bass
  R1
  \clef treble
  <>^\markup \tiny { flute }
  \cueDuring #"flute" #UP { R1 }
  \clef bass
  g4. b8 d2
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \bassoonNotes
}

Alternatively, the \cueDuringWithClef function can be used instead. This command takes an extra argument to specify the change of clef that needs to be printed for the cue notes but will automatically print the original clef once the cue notes have finished.

fluteNotes = \relative {
  r2. c''4 d8 c d e fis2 g2 d2
}

bassoonNotes = \relative c {
  \clef bass
  R1
  <>^\markup { \tiny "flute" }
  \cueDuringWithClef #"flute" #UP #"treble" { R1 }
  g4. b8 d2
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \bassoonNotes
}

Like \quoteDuring, \cueDuring takes instrument transpositions into account. Cue notes are produced at the pitches that would be written for the instrument receiving the cue to produce the sounding pitches of the source instrument.

To transpose cue notes differently, use \transposedCueDuring. This command takes an extra argument to specify (in absolute mode) the printed pitch that you want to represent the sound of a concert middle C. This is useful for taking cues from an instrument in a completely different register.

piccoloNotes = \relative {
  \clef "treble^8"
  R1
  c'''8 c c e g2
  c4 g g2
}

bassClarinetNotes = \relative c' {
  \key d \major
  \transposition bes,
  d4 r a r
  \transposedCueDuring #"piccolo" #UP d { R1 }
  d4 r a r
}

\addQuote "piccolo" { \piccoloNotes }

<<
  \new Staff \piccoloNotes
  \new Staff \bassClarinetNotes
>>

The \killCues command removes cue notes from a music expression, so the same music expression can be used to produce the instrument part with cues and the score. The \killCues command removes only the notes and events that were quoted by \cueDuring. Other markup associated with cues, such as clef changes and a label identifying the source instrument, can be tagged for selective inclusion in the score; see Using tags.

fluteNotes = \relative {
  r2. c''4 d8 c d e fis2 g2 d2
}

bassoonNotes = \relative c {
  \clef bass
  R1
  \tag #'part {
    \clef treble
    <>^\markup \tiny { flute }
  }
  \cueDuring #"flute" #UP { R1 }
  \tag #'part \clef bass
  g4. b8 d2
}

\addQuote "flute" { \fluteNotes }

\new Staff {
  \bassoonNotes
}

\new StaffGroup <<
  \new Staff {
    \fluteNotes
  }
  \new Staff {
    \removeWithTag #'part { \killCues { \bassoonNotes } }
  }
>>

Alternatively, Clef changes and instrument labels can be collected into an instrument definition for repeated use, using \addInstrumentDefinition described in Instrument names.

Known issues and warnings

Collisions can occur with rests, when using \cueDuring, between Voice and CueVoice contexts. When using \cueDuringWithClef or \transposedCueDuring the extra argument required for each case must come after the quote and the direction.

[ << Musical notation ]	[Top][Contents][Index][ ? ]			[ Specialist notation >> ]
[ < Quoting other voices ]		[ Up : Writing parts ]	[ Editorial annotations > ]

Más nyelvek: català, deutsch, español, français, italiano, 日本語.
About automatic language selection.

1.6.3 Writing parts

Instrument names

See also

Quoting other voices

See also

Known issues and warnings

Formatting cue notes

See also

Known issues and warnings

LilyPond — Notation Reference v2.21.0 (development-branch).